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Term: how long does their licence last for before they need to come back to you. Territory: can they exhibit their production in specific countries (UK only, UK and RoI etc.) or worldwide? Clearly, a larger the geographical territory means a greater potential audience so command a higher fee. Key parts of the MU specimen licences to consider are: We have produced template sync licences for TV, film and advertising, and these can be adapted to each particular deal’s variables, whether it is for the rights in the composition or use of the master recording itself. If you stick with the process, you should be able to land better and better placement opportunities.The MU has a range of resources to help musicians negotiate synchronisation deals and agree appropriate terms for the use of their music. So, do your research, make great music, submit to relevant opportunities and keep upgrading your skills. You need to go after opportunities where your music fits, always. That’s another important point to consider, since you may not play every genre of music. So, if you’re just getting started, you’ll need to do all the legwork, which will be a mix of developing industry relationships and hunting for opportunities you’re well suited for. Of course, you might be required to build yourself up to the point where you can work with a company who cares that much about your music. Working with companies that actively help you find opportunities is ideal. Meanwhile, if you aren’t established and have limited access to quality production, you might rely more on sites like YouLicense and others already mentioned.Īs you’ve already guessed, whether to enter an exclusive contract is another point worth considering before you jump into a deal. If you’re an established songwriter or composer and have access to quality production, you might set your sights on the companies that have carefully curated catalogs. I think what company you work with is at least partially going to depend on what stage you are in your career. When it comes right down to it, you can even find opportunities on sites like Fugue, Audiio (you can see our Audiio review here), ReverbNation and Sonicbids. There is a huge list of sites not mentioned here. With that, here are 11 of the best and most well-known licensing companies around. But based on your goals, you should always be mindful of what you’re signing up for. There isn’t necessarily a right or wrong way. Others have direct access to people who are looking for music they can use in their projects. Some will be proactive in finding placement opportunities for you, while others will just maintain a catalog that filmmakers and others can browse and license at their convenience.
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Some require you to sign over exclusive rights to the music you submit, while others do not. What should be said at the outset is that every company is a little different. That’s what we’re about to get into, and make no mistake about it, there are plenty of companies that can help you get your music into TV, films, games and beyond.
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Are There Other Companies That Can Help Me Get My Music Placed?.Audio Network Is Another music Licensing Company You Can Get Your Music Placed On.Soundstripe Offer Unlimited Licenses Of Music.TAXI – A Popular Music Licensing Company.